SCREENPLAYS
Writing is how I process life — one scene at a time.
What can I say? It all just makes more sense on paper.
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I’ve written for Videoland, Belgian TV, Netflix and
for the stage.
This page features a selection of my screenplays.
Feel free to explore — read a scene, dive into a
world. And reach out if you're looking for:
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Professionally structured stories
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Unique, natural dialogue
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Strong thematic foundations
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Layered characters
CONTORTION
(feature film)
A skeptical horror author exploits the dark past of his new home to outshine his bestselling brother — but this past comes with a vengeance.
Blue cat screenplay competition wrote:
This is a chilling thriller in the vein of The Conjuring and The Haunting of Hill House - but the vivid and ductile descriptions and sharp dialogue distinguish Contortion as a unique brand of haunted house horror.
We’ve seen children haunt houses before, but never quite like this - and never quite so many. Your script subverts expectations and is an entirely fresh take on the genre.
LUPA
(feature film)
A dysfunctional family is invited to a secluded Italian village for the funeral of their estranged patriarch, only to uncover a lineage bound to a truth older than humanity—one that threatens to consume them unless they confront their past and each other.
Blue cat screenplay competition wrote:
This is a distinctive horror tale with strong symbolic elements and an opening sequence that functions as an effective hook. A slow-build of an escalating sense of unease is employed: Imagery of motherhood, birth, babies, blood and wolves run through the script.
HEIMATCLOWN
(short film)
A broken clown is recruited by the Nazis to root out children deemed unworthy of the Reich, but as his madness deepens, he spirals beyond even their ideology—becoming a monstrous force the regime can no longer control.
The clown serves as a grotesque parody of ideological purity that exposes the
internal absurdity and inevitable
self-destruction of Nazism.
SCHAAPSKLEREN
(Stageplay in Dutch)
Gepolariseerde jeugdvrienden worden gedwongen een geforceerd vriendenweekend door te brengen, maar de spanningen lopen hoog op wanneer een van hen per ongeluk een dier doodrijdt. Het incident leidt tot een reeks explosieve confrontaties over schuld, verantwoordelijkheid en de geschiedenis van hun vriendschap.
Schaapskleren onderzoekt de rol van schuld in het hedendaagse menselijke bestaan en hoe we onszelf voortdurend rechtvaardigen. Het is een rauwe, scherpe zwarte komedie met een plot die je keer op keer op het verkeerde been zet.​
(Premiere: april, 2025)
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